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Tracey Moffatt: Love And Adventures PDF Print E-mail
Events
Written by Joe DiRosa   
      

The Steven Kasher Gallery is pleased to announce that we are now serving as Tracey Moffatt’s exclusive representative in the United States.  Our first exhibition of Moffatt’s work, entitled Love and Adventures, features both photography and video. It is Moffatt’s first exhibition in New York since 2001.

Tracey Moffatt is Australia’s most accomplished visual artist. She has exhibited extensively all over the world and has garnered strong support from museums, critics and collectors.  Since 1989, Moffatt has had 119 solo exhibits and has been featured in over 150 group exhibitions.

Adventure Series, an eye-popping collection of 10 large photographic works that play with pop-cultural staples such as comic strips, television and B-movies.  Moffatt says, “I love early-1970’s modern adventure stories in comics and movies, especially low-budget American and Australian television dramas.  In these productions ‘adventure’ meant jumping into a speedboat or a small plane to catch a ‘poacher’ and the stories were always set in exotic locations.
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The Garden Party PDF Print E-mail
Events
Written by Joe DiRosa   


March 09, 2006 — April 29, 2006
18 Wooster Street, New York

Deitch Projects cordially invites you to attend The Garden Party, an exhibition and performance program that creates a contemporary version of the fête champêtre. Following the art historical theme established by Giorgione and Edouard Manet of the erotic garden our exhibition project will attempt to update this theme in a contemporary context.

Following the Deitch Projects tradition, the interior of the gallery will be rebuilt under the direction of architect Lindy Roy to accommodate The Garden Party. Participating artists include: Ghada Amer, Assume Vivid Astro Focus, Hernan Bas, Vanessa Beecroft, Cecily Brown, The Citizens Band, Rosson Crow, Olafur Eliasson, Naomi Fisher, Micah Ganske, Noritoshi Hirakawa, Martin Honert, Liza Lou, Ryan McGinness, Julie Atlas Muz, Elizabeth Neel, Xiomara de Oliver, Yoko Ono, Laura Owens, Paola Pivi, Ravinder Reddy, Christina Lei Rodriguez, Mika Rottenberg, Momoyo Torimitsu, Julie Verhoven, and installation design by Roy. Co. March 09, 2006 — April 29, 2006

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BEC STUPAK: RADICAL EARTH MAGIC FLOWER PDF Print E-mail
Events
Written by Joe DiRosa   



BEC STUPAK
RADICAL EARTH MAGIC FLOWER
January 12 – February 25, 2005
76 Grand Street
 
Deitch Projects is pleased to present a new exhibition of video, sculpture and performance by Bec Stupak. Couched in an exotic harem-esque interior reminiscent of 1940’s B movies, her installation uses video, sculpture, performance, elaborate set design, body paint, and projected light to create a sense of euphoria.  
 
The centerpiece of the exhibition is Bec's blind remake of Jack Smith’s legendary film Flaming Creatures. Using members of her demimonde, including performance drag group The Radical Fairies, Phiiliip, Agathe Snow, and other downtown celebrities, she recreates the 1963 cult classic based only on the impressions she’s collected from others of what the film consists of. Where costume matters more than actor or actress, anyone can get dressed up, loosened up, and sucked into this world of bestial, mystical erotica. 
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Hiding In The Light PDF Print E-mail
Events
Written by Joe DiRosa   
Untitled

On 12 January 2006 the Mary Boone Gallery will open at its Chelsea
location “Hiding In The Light”, an exhibition curated by Neville Wakefield.

Accepting the actuality of ANDY WARHOL’s often repeated quip on fifteen minutes and fame, the show examines through the work of eight artists the complex interchange of celebrity, audience, participation, and escape.  Fittingly, Warhol’s amateurish “Screen Tests” from 1964-1965 are projected onto the wall of the Gallery entryway.  The concept of the silver screen is then suddenly upended by a dazzling mirrored floor by RUDOLF STINGEL that covers the expanse of the space, ensnaring the viewer and the art works in reflected gazes and spotlights.
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JIM DRAIN AND ARA PETERSON: HYPNOGOOGIA PDF Print E-mail
Events
Written by Joe DiRosa   




Deitch Projects is pleased to present Hypnogoogia, a collaborative installation by Jim Drain and Ara Peterson. In this incredible cumulative show, 18 Wooster St. is transformed into an interactive, spinning landscape-- a psychedelic music of the spheres featuring work produced by the artists over the past two years. 
 
Moving through corridors of rainbow pinwheels, a huge kaleidoscope hallway, and four exactingly gorgeous geodesic sphere-shaped paintings rotating slowly on the ground and ceiling, the viewer becomes immersed in their lyrical, spherical environment. Hypnotically spinning on the first platform is a twelve-foot rainbow ottoman, and above, a video feed throwing the spinning participants on the wall
upstairs. 
 
This show brings to ambitious fruition much of the imagery with which Jim and Ara have been working for the past few years, where radiant disks and morphing spherical forms found in their collages, wall drawings, and video projects, are found here expanded to full three-dimensionality and human
scale.
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Breaking & Entering: Art and the Video Game PDF Print E-mail
Events
Written by Joe DiRosa   
        


Breaking & Entering: Art and the Video Game

A group show featuring works by Cory Arcangel, Brody Condon,
Jon Haddock, JODI, Paper Rad, RSG and Eddo Stern


New York, December 1, 2005— PaceWildenstein is pleased to present Breaking and Entering: Art and the Video Game an exhibition of work by seven artists working at the forefront of the digital medium. The digital, increasingly the medium of our everyday lives, is redefining the way we interact with and perceive the world around us in much the same way as the railroad redefined our geographical and cultural landscape at the end of the nineteenth century. The works in this exhibition map a new visual terrain, a terrain grounded not in material reality but in numerical sequences of which the visual is just one of many possible expressions. The digital is a realm that has only just begun to be explored and the artists represented here are the first to have broken into this new space. Treating the video game as a primary visual expression of the digital, they make use of the skills they honed as players to disrupt, reorganize and rewrite the visual surface in novel ways. For each artist and group, breaking becomes a way of entering. 
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