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Art 
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Events
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Written by Joe DiRosa
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All The Colors of The Musical Spectrum - Jessica Reynoza
Follin Gallery 45 Bleecker NYC through Dec 17.
Opening November 17th 6-8 PM
These star studded works by Reynoza smear the balance of music and art relentlessly with vigor and meter. Willowz( for the uninitiated a pop rock combo from Anaheim, California), bass player Reynoza, spawns multiple levels of creativity in an otherwise brackish and blurry atmosphere of indie culture and the cumulative counter cultures of the 90's combined.
We bring to the plate a pate' of Rock Icons, Hens and the acceleration of Beer culture based on the empirical deducement of borderline white trash behavior patterns. These new pieces are charming to the voyeuristic appeal
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Events
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Written by Joe DiRosa
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November 05, 2009 — December 19, 2009
18 Wooster Street, New York
Splitting Twilight,
an exhibition of new paintings by Kristin Baker, opens at Deitch
Projects on November 5, 2009. Baker continues to push the
contradictions inherent in the genre of painting while simultaneously
celebrating its history. The new body of work playfully remixes the
legacy of landscape painting within a modernist structure.
Kristin Baker is bending painting’s seeming limitations. By
emphasizing the materiality of paint through her built up layers of
troweled acrylic, Baker’s paintings approach other two-dimensional
practices such as printmaking, photography and paper assemblage. While
upholding the power and dynamism of painting, Baker seeks to create a
third dimension in between many genres and hindered by none. Her
compositions combine illusionistic and pictorial space as well as
blatantly artificial forms and surfaces. Each mark and shape is created
not by a brush but by an outline of torn tape. The final silhouette is
filled in with paint, and when the tape is ripped away, a free-floating
“gesture” or “mark” is added to the piece.
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Events
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Written by Joe DiRosa
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THE LIVING ART EXHIBITION
Hosted by Art Battles & Presented by Alchemy Properties Inc.
Red Bull Space
June 9th 2009 – June 19th 2009
Two-Week Exhibition at RedBull Space Features
Eight Emerging Artists Performing Live Art Shows and Contending for
Showcase at Central Park’s Summer Stage; Winning Artist Will Design
Mural for Alchemy Properties’ Newest Condominium in Hell’s Kitchen, The
Griffin
The Public is Invited to View The Living Art Exhibition and Vote for Favorite Artists
Starting on Tuesday, June 9, Art Battles moves into the
RedBull Space to curate The Living Art Exhibition, hosted by Alchemy
Properties, Inc. For two weeks, the SoHo studio will be transformed
into a Live Art Gallery and Art Battles Arena, during which eight live
artists will be allotted gallery time to create their artwork for the
exhibition in front of attendees. The public is invited to come down
to the RedBull Space and observe the artists in progress and literally
watch the Living Art Exhibition grow as the artwork is created.
The top four artists from The Living Art Exhibition, as voted on by
critics and guests, will then go on to perform on stage at this
summer’s opening event at Central Park Summer Stage. The artists are
also competing to be chosen as the muralist for Alchemy Properties’ new
condominium development, The Griffin, located at the corner of Tenth
Avenue and 54th Street.
The eight artists exhibiting at The Living Art Exhibition have been
chosen from Art Battles’ AB Study Group, a weekly workshop that
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Books
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Written by Joe DiRosa
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Jeff Koons by Taschen Books
While some Artists have Book and some Artists have 'Books", the new publication by Taschen is most definitely the later. Koons is a 598-page ode of Jeff Koons work. The book also in it's entirety embellishes the very spirit of Jeff Koons with it's excess as if it was almost not just a book but his latest piece of work. In perfect style the book perfectly recreates Jeff’s justifiable ego by printing each article in the book in English, German and French. As if to say I am so worldwide and I have so much work that we have plenty of room next to all my work to publish each article three times without any complaints. While a bit frustrating at times they are entirely correct. Without publishing each article in each language the book would largely be a photomontage but the trilingual publishing does send the reader a message and serve as a statement to Jeff Koons' international greatness.
Koons opens it's 598-page journey with a fitting article by Ingrid Sichy, which serves as a biographical introduction for the book. It’s a wonderful piece written after Koons installed the first new work at the World trade Center after 9/11. The article traces back his routes as a young boy and takes us on a quick run through several important periods in his life as a child, while working at MOMA through a National Endowment for the Arts internship and further through the 80's. The article goes on to touch on the importance of Koons work and his politics but it's not until you have finished seeing the complete evolution of his work from 1979 to the present day can you truly understand what Koons has accomplished.
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Events
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Written by Joe DiRosa
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March 07, 1996 — April 04, 1996
76 Grand Street, New York
Kessler's Circus
places the viewer inside the American war machine. An army tent pitched
inside the gallery houses mechanical sculptures and barracks stacked
with video monitors. The work depicts the American military-industrial
complex as macabre circus, traveling from country to country, importing
nothing and exporting atrocities under the veil of democracy. Rather
than simply presenting a mediated spectacle, Kessler indicts the
audience in the violence.
Surrounded by handmade mechanisms and surveillance cameras, the
viewer becomes part of the machine. There is an induced sense of
vertigo and surge of paranoia, as the viewer's own faces appear in the
video feed. Entering Kessler's Circus, one is immersed in an undefined state, conflating machine and spectacle with entertainment and horror.
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Events
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Written by Joe DiRosa
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January 09, 2009 — February 28, 2009
18 Wooster Street, New York
Rock on Mars,
a retrospective exhibition of the work of Stephen Sprouse, will
transform Deitch Projects’s 18 Wooster Street gallery into a
realization of Sprouse’s rock and roll futuristic vision.
Stephen Sprouse (1953-2004) was one of the most influential fashion
designers of his time and a key figure in the dynamic mix of punk rock,
wild style graffiti, and street influenced fashion that characterized
the downtown New York community in the early 1980s. He was one of the
first to build on the influence of Andy Warhol to create a fusion of
art, music and fashion. He continued on a course that disavowed any
division among these fields throughout his career.
The exhibition will introduce Sprouse’s extraordinary pop-influenced
paintings to the larger art audience. His paintings of iconic rock and
roll imagery including stacks of loudspeakers, Sid Vicious with his
pants down, and an Iggy Pop crucifixion, have rarely been seen. The
show will also include a selection of the video works made to accompany
his runway shows, examples of his fabric and furniture design for
Knoll, and fifty of his most influential fashion looks.
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